CASTLE FACE RECORDS is one of the hottest imprints in the world right now. Helmed by Thee Oh Sees’ inimitable flag bearer John Dwyer, along with fellow Californians Matt Jones and Brian Lee Hughes, the label have issued intergalactic cuts from the likes of White Fence, Warm Soda, POW!, Feels, Ty Segall, Useless Eaters, The Blind Shake, Fresh & Onlys… and some. Plus, there’s the small matter of Thee Oh Sees’ ever-expanding catalogue.
For Liverpool International Festival of Psychedelia 2017, the label present IRREGULAR ORBITS – their first ever curated festival stage. The stage will feature some of the finest groups on their roster – with an insight into what the label has in store heading into the fall – plus Castle Face DJs and a host of Castle Face frolics across the festival programme to be announced over the coming months.
Castle Face’s Matt Jones gave us the following snippets of info on the groups they have lined up for Irregular Orbits

Once & Future Band: “If we are lucky enough to have a Dark Side of the Moon-style prog grand opus for our generation, I nominate Once & Future Band’s self-titled debut. They are just that good, that grand. Like watching wizards battle over who can write the best bridge.”
Sunwatchers: “Psych/jazz/freeform freakniks that dropped a great disc on us early last year. From a hall of mirrors psych-like repetition to tendrils of free jazz, but always with an exotic edge no doubt helped along by the occasional surfacing of electric phin and Ethiopiques-esqe alto spice, which frankly kinda seals the deal for me.”
Male Gaze: “There is no easier task than describing your own band! Gothly sung, feedback stung, Modern English meets Big Muff… Male Gaze is a loud and fuzzy pop band with a tendency to thrash behind my passable Ian Curtis impression rather than brood or jangle.”
Magnetix: “’The butchest band in Bordeaux’, as John Dwyer so eloquently put it. Looch and Aggie bring an inimitable gallic swagger to their two-piece fuzz-manic whomp. Looch is a towering, slavering rock ‘n’ roll animal in person and when I heard he was recently hit by a car, I worried more about the car. Aggie could chew you up and spit you out with one hand still hitting the snare… as if she could be bothered to!”
Duds: “Post-punk perfection so far delivered in 7” doses, Duds have a full length for us coming out in September. Sharp lads with a great monotone delivery, a great jittery bounce, and tension you can cut with a knife (or a Telecaster). Marc Riley actually sent them our way and we’re very happy to be working with them.”